MichaelEmeryArt

Distractions

Everyday,every moment of the day,our lives a impacted by many many distractions-the key is to become aware of them

personally I like Leo@ actualized.org...he is I believe truly trying to do good for humanity..to watch and listen to his works,one must be open-minded !

“Our enslavement to distraction inhibits our action.”
Avina Celeste

Walter Benjamin’s best-known work is ‘The Work of Art in the Age of Mechanical Reproduction’. This short piece provides a general history of changes in art in the modern age. Benjamin’s insight here is that each human sensory perspective is not completely biological or natural. It is also historical. The ways people perceive change with social changes, or changes in ‘humanity’s entire mode of existence’.

note; historical meaning to myself is Pre-conceived notion.-me

Benjamin sees the transformations of art as an effect of changes in the economic structure. Art is coming to resemble economic production, albeit at a delayed pace. The movement from contemplation to distraction is creating big changes in how people sense and perceive. Historically, works of art had an ‘aura’ – an appearance of magical or supernatural force arising from their uniqueness (similar to mana). The aura includes a sensory experience of distance between the reader and the work of art.

The aura has disappeared in the modern age because art has become reproducible. Think of the way a work of classic literature can be bought cheaply in paperback, or a painting bought as a poster. Think also of newer forms of art, such as TV shows and adverts. Then compare these to the experience of staring at an original work of art in a gallery, or visiting a unique historic building. This is the difference Benjamin is trying to capture.

The aura is an effect of a work of art being uniquely present in time and space. It is connected to the idea of authenticity. A reproduced artwork is never fully present. If there is no original, it is never fully present anywhere. Authenticity cannot be reproduced, and disappears when everything is reproduced. Benjamin thinks that even the original is depreciated, because it is no longer unique. Along with their authenticity, objects also lose their authority. The masses contribute to the loss of aura by seeking constantly to bring things closer. They create reproducible realities and hence destroy uniqueness. This is apparent, for instance, in the rise of statistics.