“It is my mind, with its store of images, that gives the world color and sound; and that supremely real and rational certainty which I can "experience" is, in its most simple form, an exceedingly complicated structure of mental images. Thus there is, in a certain sense, nothing that is directly experienced except the mind itself. Everything is mediated through the mind, translated, filtered, allegorized, twisted, even falsified by it. We are . . . enveloped in a cloud of changing and endlessly shifting images.”
― C.G. Jung
"Change begins from within Self"
"Preconcieved-Notions"....is basing one's "Idea's of the ideas and manner of thinking characteristic of a group, social class, or individual:
Objective thinking is thinking as a "Individual"...free from what Society belief's(which many are very subjective),based on opinions,current trends,morals..etc.
I know from being a Artist's model since 1998 and a artist ,that the artist must see the model as just a being,,just a thing of nature..free from judgements ..such as who is this person,are they poor,are they gay,are they moral,are they religious...etc
Realizing your "Cultural Self"...How we are De-Individualized by our own culture(society).....understanding the societal ego
First, people who can't draw well aren't seeing the world as it really is. When we look at an object, our visual systems automatically misjudge such attributes as size, shape and color; research over the past three years shows at least some of these misperceptions translate into drawing errors. Paradoxically, in other circumstances the misperceptions help us make sense of the world. For example, objects appear larger when they are closer than when they are far away. Even so, the visual system practices "size constancy" by perceiving the object as being approximately one size no matter how far away it is. The visual system, "knowing" a distant object is really bigger than it appears, sends false information to the brain about what the eyeball is seeing.
Furthermore, as detailed in December in the journal Psychology of Aesthetics, Creativity, and the Arts, Ostrofsky and his colleagues found significant evidence that skilled artists are better at selecting which elements of an object need to be included to convey the object's form. And once the artists have selected an important element, they are better at focusing their attention on it and ignoring extraneous details nearby.
The devil is in the details, and the researchers are still working out the interplay between all the factors that affect drawing accuracy. However, they can all be learned. "There is no doubt that practice is an important component of being able to draw," Chamberlain said. While some may be predisposed to be better at perceptual accuracy and visual memory than others, "the rest of us use tricks to emulate this." [6 Fun Ways to Sharpen Your Memory]....In research presented at a recent symposium at Columbia University and soon to be published by Columbia University Press, Chamberlain and her colleagues found practicing drawing significantly improved people's abilities over time, as rated by other people who participated in the study.
Based on their research, the psychologists recommended the following techniques for getting better at drawing: Focus on scaling a drawing to fit the size of the paper; anchor an object in its surroundings by showing how it sits in space; focus on the distance between elements of the object and on their relative sizes; and focus on the size and shape of "negative space," or the empty space between parts of the object. Lastly, they recommend thinking of "lines" as what they really are — boundaries between light and dark areas.